Friday, November 30, 2007

An attempt to get people to go see Okkervil River next week.



Okkervil River played Whelan's in May of last year. I went along not expecting to see much more than a vaguely folk tinged band with a bunch of really good songs play what I thought would be a nice gentle set.

Boy was I wrong.

They nearly blew the roof off the joint with Will Sheff, the band's bespectacled and bookish looking lead singer/main knife enthusiast, in particular revealing himself to be quite the wild man on stage. At least, he was as wild as anyone playing an acoustic guitar could be anyways. It was probably my favourite gig in Ireland of 2006 and having only been familiar with Black Sheep Boy, their then latest album by the time the gig was over I had realised that this was a band I really, really needed to delve into deeper.

Cut to today and Okkervil River are now probably one of my favourite bands of the past decade and I honestly believe that in Will Sheff they have the finest American singer-songwriter type to emerge since Jeff Mangum was doing his thing in the mid-90's. Even though the music they make is quite different they're a band that I'd categorise alongside the National (another band I've enthused about greatly on this blog in the past and who like OR are one whose music I fell in love with one night over the course of an earth shatteringly brilliant Whelan's gig) insofar as what they do isn't particularly groundbreaking but the songs are just amazingly good.

Anyway, the reason I'm writing all this is because next Thursday (December 6th) they're back in Whelan's and I really can't urge you enough to go and check them out. I'm pretty sure you'll thank me if you do.

Here's a bunch of songs by them (in chronological order of release)*...

MP3: Okkervil River - Westfall from Don't Fall In Love With Everyone You See ^
MP3: Okkervil River - It Ends With A Fall from Down By the River Of Golden Dreams
MP3: Okkervil River - For Real from Black Sheep Boy &
MP3: Okkervil River - Our Life Is Not a Movie or Maybe from The Stage Names %
MP3: Okkervil River - Savanah Smiles from Solo Demos for The Stage Names

Maybe 5 songs is a bit much but I've not been posting a great deal of MP3's of late.

GO AND SEE THIS BAND.

* Other songs from these albums that I'd really love to put up but won't because I'm probably already at the Okkervil (ha!) point.

^ Red, Kansas City, Listening to Otis Redding at Home During Christmas, Okkervil River Song
& In a Radio Song, Get Big, A King And A Queen, A Stone, The Latest Toughs, So Come Back, I Am Waiting, A Glow
% Plus Ones, A Girl in Port, Title Track, John Allen Smyth Sails, Unless It Kicks

Great news

I was so disappointed (more than was a reasonable amount) that I was going to have to miss Thurston Moore on Tuesday.

However ...

Due to the amount of people who contacted us saying they wanted to go to both Liars in Whelans and Thurston Moore in Tripod, which both take place next tuesday (december 4) ourselves and Pod concerts have made slight changes to the stage times of both performances to facilitate people seeing both shows. Thurston Moore will end at 10.30 and Liars will go on stage at 10.45.
U:MACK presents

LIARS
Special guests
HTRK (haterock)
TUESDAY DECEMBER 4
WHELANS
DOORS 8pm. TICKETS €18 FROM ROAD RECORDS, CITY DISCS, SOUND CELLAR & SPINDIZZY & ONLINE AT

Radiohead in Dublin next year.

2 dates in June apparently.

Wednesday, November 28, 2007

Sevilla 3 - 1 Arsenal


Prick

Well this is an odd feeling. Since I started this blog over the summer I've never had to write about a match that Arsenal lost. It's always a shit feeling but I suppose in context it could be far worse. For example a defeat in the Premiership rather than one in a Champions League group that we've already got out of. That's not to discount the importance of winning the group because I'd really rather we didn't face Barca or Inter in the second phase and now if we're to do that we need to beat Steaua Bucharest in out final match and hope that Slavia Prague (who secured the UEFA cup spot last night and as such have nothing but pride to play for in the final match) get some sort of result against Sevilla.

Wenger made wholesale changes to the side last night and in addition to players coming in for those that didn't travel yesterday a number of regular starters were relegated to the bench with Justin Hoyte coming in for Bakary Sagna at right back, Eduardo replacing Rosicky on the left, Gilberto came in to play a sitting role in front of the back 4 in preference to someone in the hole and Bentdner started up front on his own.

And the team seemed to work quite well at the start and took the lead early on with a beautifully worked move when Eboue back heeled the ball down the right hand touchline for Bentdner to run on to. The Big Dane looked up and flighted a beautiful ball into the area towards Eduardo who took it down on his chest and was shaping for a volley until Daniel Alves (who I'll get to later but I'd just like to say that there's no chance that he was the solution to Chelsea's defensive problems at right back no matter how much he offers going forward) gave him a little shove to put him off his balance. It could well have been enough to kill the chance but the Crozillian regained his composure to control the ball with his knee and slip the ball home.

Things were going well enough for the next 15 minutes but from that point on Sevilla took controll. The equaliser came after 24 minutes when Senderos cleared poorly for Sevilla to come back at the Arsenal defence quickly. Jesus Navas's crossed was weakly cleared by Gilberto to the edge of the area where Keite ran onto the ball and clipped the ball brilliantly past Almunia with the outside of his left foot. Worse was to come as from a free kick on 34 the impressive Fabiano met Navas's cross to head home and that's how things stayed till the break.

After half time Sevilla were in control for most of the final 45 with Navas and Alves routinely raping Traore down our left. I felt sorry for the kid as he got little help from Eduardo who, whilst he "can" play on the left, demonstrated that he's probably best up front. Thanks to that avenue Sevilla created a number of decent opportunities from open play but were unable to convert any of them. In fairness Arsenal did play some nice football at times and looked to be causing problems down both flanks with Crespo in particular looking uncomfortable against Eboue.

And it was the Cameroonian who was involved in the first of 3 penalty claims during the second 45 when he burst into the box and seemed to be taken down. I can't really say for certain if it was a spot kick or not because the game's Spanish director decided to not show a replay of the incident which might mean something in itself. The second incident was far more controversial as a cross from the right hand side was blocked by Senderos. Following appeals from Sevilla the ref pointed to the penalty spot but after protests from the Arsenal players he consulted his linesman and eventually settled for a drop ball. The incident happened very quickly and even on replays it was unclear as to whether the ball came off Senderos' chest or the arm which he had down and tight against his body. The final penalty decision was a bit more clear cut when in the 89th minute Toure brought down Freddie Kanoute who duly picked himself back up to convert and seal our first defeat since April.

So that's that then, if you want to look for positives then there aren't many. Bentdner and Eboue played well and that's it. As for negatives, there are many:

- We lost (duh!)
- Poor performances from Denilson, Gilberto and Senderos.
- Cesc picked up an injury.
- Wenger was sent from the touchline and threw a little hissy fit apparently. It's something that might have disciplinary implications.

Next up is the beginning of our insanely busy December against Aston Villa, which I'll get to in time but it's nearly time for me to stop skiving off work and finish up for the day.

YAY!

After much worrying about internet queues which seemed to get ever longer instead of shorter I've now got a pair of standing tickets for the Thursday gig.















"I love you daddy."

"I love you too son."



By the way, this is the first post I've made with my laptop since it's return. I'm currently in the process of backing up the hard drive in preparation for sending it back to have the faulty drive replaced (turns out the original issue was that the motherboard went kaput).

Tuesday, November 27, 2007

Sevilla preview.

With qualification for the next round assured already it's easy to write this off as a meaningless game. Especially the poor run of form the Sevilla have been in of late. I think to do so however would be a mistake. They're still a good side with plenty of decent players and after the defeat they took at Ashburton Groove in the first round of matches they'll be anxious to get a bit of revenge.

Squad news, no Clichy, Cap'n Gallas or Adebayor for various reasons and we're still without Hleb, RVP and presumably Flamini. Cesc was suspended on Saturday so should be free to return. As for what it means for the team Armond Traore and Senderos will probably fill in at the back and Wenger will probably stick with 4 in midfield and 2 up front but I'm not quite sure how things will line up. It'll be 2 from Eduardo, Bentdner and Theo up top. Really all of them have a good chance of starting, Dudu could certainly use the game time and the European game seems to suit him better as he's yet to adjust to playing premiership defenders (with the exception of Messrs Bridge, Lescott, Campbell and Richards obviously) and Bentdner did well when he came on at the weekend to set up Tomas Rosicky's goal. There's also a chance that all 3 could play with Walcott being pushed to the right.

All shall be revealed in due time I suppose.

Sunday, November 25, 2007

I wish I was in Belfast tonight.

Pinback will have to do though.



In case the video doesn't show up.

Fingers crossed for Wednesday.

EDIT: Pinback more than did. Fantastic. Great set by the Dudley Corporation too

Arsenal 2 - 0 Wigan Athlethic


I'm sorry I ever doubted you.

Thank you Jesus, the international break is over and now we can get back to real football. No matter what suffering England fans have been going through in the past week I as an Irish fan have had that shit going on for the past 5 years. Not good.

Wigan came to Ashburton Grove yesterday with a new manager sitting in the stands and facing a home side still missing Robin Van Persie but additionally without the suspended Cesc Fabregas as well as the injured Mathieu Flamini and Alex Hleb and Le Boss dealt with the absences by bringing Diarra and Denilson to play in midfield and giving Walcott a start in the side up front alongside Adebayor.

Missing so many players is always a recipe for a struggling side to grab a heroic and shock win (hello Bolton, well done yesterday) and in fairness to them Wigan played well, worked hard and though they never looked like winning the game they could have left with a point and their performance yesterday showed positive signs for their chances of survival this season.

Of the changes to our starting 11 the key selection seems to have been that of Theo. He looked lively throughout and was a constant problem for the Wigan defence. More importantly it gave Ade someone to link up with, the Togolese striker hasn't been in great form of late and part of it I think is down to the 4-5-1 system that Arsenal have employed during that period. It's a role that doesn't seem to suit him and he was far more effective yesterday when he had a partner. He didn't score but his overall performance was his best in some time. His timing of runs, his touch and his bringing people into the game were vastly improved and the strike force combined well early on to create an opportunity for Walcott. We dominated the first half but didn't score and Wigan did have one fine chance to to into the break with the lead when Boyce put in a cross for Marcus Bent to head over.

The second half began in much the same fashion as the first had gone with plenty of possession for Arsenal with the best of the chances possibly falling to Tomas Rosicky when Diarra played a ball to him at the edge of the box to fire over. Eventually the goal did come in the 83rd minute and it was very much down to the efforts of William Gallas who has probably been our best player in the past month and has demonstrated leadership qualities which have vindicated Wenger's decision to give him the armband for the season. Stepping up into midfield he played the ball into substitute David Bendtner's feet and began to storm into the box, Bendtner slid it wide to Bakary Sagna whose cross met the head of Gallas at the near post as the Frenchman powered the ball into the goal to break the deadlock.

A second came a few minutes later and was a vintage passing Arsenal move from the back. Taking the throw in the left back area the ball came to Bentdner deep inside his own half. The Dane turn and took the ball into the Wigan half unchallenged before playing a ball to Tomas Rosicky who was making a run down the right. One touch to take the ball to the inside of the area and the Rosicky fired a low, hard drive in off the left post to seal the deal.

Hooray, the league is back, and hooray, we're still winning games we weren't last season. United losing yesterday means that we're now three points clear with a game in hand, a position I think I can safely say is a nice one to be in.

Next up in Sevilla on Tuesday. Despite the fact that we're through and Wenger played a very weak side in the last match in Prague I think there'll be a pretty strong side put out in Spain. We're still undefeated in all competitions this year and it's probably not a record anyone want's to lose just for the sake of resting players. Preview of that on Tuesday and a recap on Wednesday at some point.

St. Vincent - The Sugar Club - Dublin



Just a few weeks after her pair of hugely impressive performances in support of The National Annie Clarke returned to Dublin last night to play her debut Irish headline gig. It appears that I wasn't the only person hugely taken with her blending of clever, witty songwriting and lyricism with electronic beats, noise and impressive effects-heavy fretboard acrobatics in the Ambassador and Olympia as I've rarely seen the Sugar Club as full.

What I found especially impressive about St. Vincent live on previous occasions was the fact that Clarke played solo and managed to create such a full sound thanks to her use of samplers and drum machines and to be honest I was a little apprehensive when I saw her take the stage with a three-piece band in tow. Perhaps it was a little unfair to think that but a live gig is as much about the performance in itself as the music that's being played and I worried that if the band merely reproduced what I heard at The National opening sets I'd be less impressed.

As it happened the band are a fantastic addition to St. Vincent with the violin, keyboards and bass making for a much fuller sound and the arrangements really complimented what Clarke was playing as well as freeing her from the constraints of programmed beats and allowing for the songs to be teased out a bit more and taken off in other directions that aren't heard on Clarke's fine Marry Me album. Thinking about it now the versions of the songs I heard at the beginning of the month now retrospectively seem to be a little weedy such was the improvement that the band made. They also gave time to allow Clarke time to smash her SG at the end of one of the songs.*

A couple of hours after the gig, a little worse for wear I ran into Clarke in Whelan's and told her how much I'd enjoyed the gig. She was utterly charming and seemed happy enough to indulge my geeky enquires about her board and the pedals that she uses. I'd like to think that we bonded over a mutual affection for our Digitech Whammys and are now BFF's ... not really. But more importantly she told me that she'll definitely be back in Ireland in the Summer and perhaps even in the Spring so that's something to look forward to in 2008.

* This is a total lie, the guitar was a loaner from Gibson and she merely laid it down on the ground but asked for the crowd to say she broke it "when you blog about it."

Saturday, November 24, 2007

Stars Of The Lid - Whelan's - Dublin


Love your work on the Simpsons man.

I feel I should apologise in advance. A straight review of this gig just wouldn't do it justice but for those of you who get pissed off over flowery writing and wanky stuff about my feelings here it is ...

Stars Of The Lid last night was two guys with keyboards and samplers and guitars augmented with a female string trio making ambient music. They were very good.

Ostensibly that's all it was, but to break it down to those components is like going to see Dylan in 1963 and saying that it was a nasal sounding jewish guy from Minnesota with a guitar playing some folk and folk influenced songs. It's impossible to talk about Stars Of The Lid in earthly, tangable terms because what they do exists on an entirely ethereal plane. It's so, so beautiful despite the fact that it feels to me to be terribly glacial and spartan. In fact, in a near packed Whelan's last night I don't know if I've ever felt so utterly alone and isolated and uncomfortable around people as when the band were on stage doing their thing. So much so in fact that after 15 minutes I had to make my way away from the stage and back to the bar where it was less crowded.

The obvious downside to that is that's where the talkers were and really they should have been an infuriating annoyance but instead their ignorance only heightened the brilliance of the music for me. Leaning against the bar I was able to close my eyes, ignore the distracting chatter of those that were around me and let the music that that was coming from 20 or so yards away wash over me. At times I felt as though there was ghostly presence surrounding me, reaching inside my chest with it's hand and tugging on my soul.

Of course the effect of that probably was that to any observer it must have appeared as though I had recently had some sort of stroke. But that's a small price to pay for being able to say that last night I experienced beauty.

Nialler 9 vs a pack of pricks.

Nialler's excellent blog is far more widely read than mine is so no doubt you've already read about this, but if you haven't.

Click here.

The comments section is particularly entertaining.

Moto FTW.

Thursday, November 22, 2007

BBBBBRRRRRRRROOOOOOOOOOOOOOOOOCCCCCCCCCCCCEEEEEEEEE!!!


My favourite guitar.



The boss plays the R.D.S. on May 22nd next year.

Come next Wednesday (the 28th) when tickets go on sale the Irish information superhighway is gonna be jammed with broken heroes on a last chance power-drive.

Friday, November 16, 2007

I got MBV tickets for London. UPDATED

Yay, I anticipate an Irish gig announcement tomorrow just to spite me.

UPDATE:

The Friday June 20 show sold out lightning fast this morning, so we are pleased to announce that additional shows on Saturday June 21 and Sunday June 22 have now been added.

Tickets will be available shortly at www.seetickets.com, www.wegottickets.com, www.gigantic.com and www.roundhouse.org.uk

Thursday, November 15, 2007

Request songs for Final Fantasy's Dublin gig via the internet.

Over on Owen Pallett's ridiculously hard to find message board there's a thread that he started a few months back where people can request songs for him to play at his gigs. It's a far more civilised method than just having people shouting song titles out at him mid gig. Beware though, there are caveats and for certain songs Pallett will expect to be compensated. I'll let him explain ...

there is a cost for every song request. Make sure that you really, really want to hear that song before you commit to purchasing it.

Has A Good Home

All songs are free, with the exception of:

Your Light Is Spent - a copy of your favourite work of fiction
Furniture - spelt flour chocolate cupcakes for at least 200 audience members
The Chronicles Of Sarnia - a string quartet who can sightread and are willing to accompany

Please Please Please - a Boss SP-1 Spectrum guitar effects pedal in working condition

He Poos Clouds

All songs are free, with the exception of:

If I Were A Carp - a large, airtight bottle
The Pooka Sings - twenty large carafes of coffee for all the dozing audience members

Spectrum 14th Century

The Book Of Butchery - a pair of Calvin Klein socks
Cockatrice & Chickatrice - twenty tambourines (will be returned after the song)

Final Fantasy Plays To Please

Horsetail Feathers - free
Ultimatum - free

Covers and Miscellany

Fantasy - a bottle of Hendrick's Gin
Honour The Dead, Or Else! - $1 000
Any Les Mouches or Tenderizer Material - a bottle of Hendrick's Gin, with shaker and dry vermouth
Chopin, Schumann or Beethoven on the piano, Bach or Ysaye on the violin - free, why not?

Some of these prices may seem prohibitive. I assure you that a set without requests will be as complete as I can fashion.


You can request songs in this thread.

In other Final Fantasy news, Pallett is contributing to the latest part of Tomlab's Alphabet release project. They're up to X now and as ever the release is limited to 500 copies. Good look finding a copy though as the run sold out at the pre-order stage, which is quite impressive. Anyway here's one of the songs on it.

MP3: Final Fantasy - What Do You Think Will Happen Next?

MBV ARE BACK.

ATP Concerts are very proud to present my bloody valentine who will return to play in Summer 2008 across the UK. The band will take to three cities London, Manchester and Glasgow.

The following three dates have been announced:

Friday 20th June - London - The Roundhouse
Saturday 28th June - Manchester - Apollo
Wednesday 2nd July - Glasgow - Barrowland

Tickets go on-sale this Friday, November 16th. Tickets for all shows will be available at www.seetickets.com and venue box offices.

London - The Roundhouse
A: Chalk Farm Road, London, NW1 8EH
T: 0870 389 1846
W: www.roundhouse.org.uk
£25 + BF

Manchester Apollo
A: Stockport Road Manchester, Lancashire, Manchester, M12 6AP
T: 0871 424 4444
W: http://www.carling.com/music/venue/manchester_apollo.html
£22.50 + BF

Glasgow Barrowland
A: Barrowland Ballroom, 244 Gallowgate, Glasgow, G4 OTS
T: 0141 552 4601
W: www.glasgow-barrowland.com
£22.50 + BF

Wednesday, November 14, 2007

Kill Your Idols


Yeah, YEAH, WHOO.

I've not had the best week, I've been having trouble sleeping and as a result my moods have been a little unpredictable. That's not quite true, I've probably been consistently grumpy and foul tempered, most things have managed to annoy in the past few days. Whether that's due to the lack of sleep or just me being me is not for me to say but in the absence of sleep I've been catching up on watching a few things that I've been meaning to but have left on the long finger. Last night it was Kill Your Idols, a 2002 documentary about the New York No Wave scene in the late 70's and early 80's and the contemporary bands that they inspired. Maybe it's just me, maybe it's my bad mood, maybe it's the zombie like state I've been walking around in for 2 days, or maybe I'm just right but almost every single interview subject in the film came across as either a pompous asshole or a delusional buffoon (or both, coughhackLydiaLunchcough). If there's something more awful and self aggrandising then people talking about their art I wouldn't like to experience it. In fact only 4 interviewees didn't make me wish great harm upon them (and I really like Liars' music, not good) Glen Branca (though he just about made it), that guy from Gogol Bordello and from Sonic Youth, Lee Ranaldo and Thurston Moore.

And the latter two, and more specifically their band is why I'm blogging tonight. In my current state I've required a lot of noise to keep me from snapping at people, I've been wearing headphones almost everywhere I've been going where other people have been, be it doing the shopping, going to the bank, walking around, sitting in the bar of Whelan's waiting for the venue to open. Anything to insulate me from the minor things which have been irritating me this week. During periods like this I find it best to not try to deal with people as I only come off looking like a dick. And I've found that songs that use space and silence in their construction just aren't doing it for me right now; I need noisy, nasty, claustrophobic, loud music that involves its creators hurling their ideas at me with great volume and force.

I've got Daydream Nation on my Zen at the minute and right now it's perfect for me. I've always liked the record a great deal but it's never been my favourite Sonic Youth record. I've always wavered between Dirty, Goo and of late Evol. I think it's partly because when I first listened to it I approached it knowing the weight of it's reputation and rather than treating it as just another record for me to listen to and take at face value I went at it looking to find the thing about it that made it so special to so many people and in trying to examine it too closely I missed the all encompassing vastness of it's brilliance. I probably did the equivalent of sneering at it when I first heard it, demanding that it showed me what it had that made it so fucking great. The other records didn't come with as much baggage.

It's a mistake I've made in the past with a number of albums that over the course of a number of years built huge reputations before I got around to listening to them. Probably the 3 most notable examples being Wilco's Yankee Hotel Foxtrot, My Bloody Valentine's Loveless and Neutral Milk Hotel's In the Aeroplane Over The Sea. All 3 are albums that I couldn't find the magic in at first and subsequently sat on the shelf for a number of months before getting another listen with less expectant ears. They hit me then.

The same thing happened for me this week with Daydream Nation. Just wanting something that was loud enough to shut everything else out meant any expectations or preconceptions about it were null and void. In that environment I just let it wash over me and suddenly I could see it, well hear it is more accurate. The onslaught of the waves and waves of noise and dissonance and texture coupled with some moments of real beauty, all of it anchored to Steve Shelly's drumming. I now see the light, and it's being generated by a single candle.

Daydream Nation will be 20 next year but this year saw the album receiving the deluxe reissue treatment. Disc 1 is the original album plus Lee's home demo of "Eric's Trip". Disc 2 has live versions of the songs as well as a number of cover versions, including this take on a Beatles song.

MP3: Sonic Youth - Within You Without You from Daydream Nation (Deluxe Edition)

New Joanna Newsom live material

Recorded at a gig in the Royal Albert Hall.

MP3: Joanna Newsom - Esame

Tuesday, November 13, 2007

Remember the video of Arcade Fire playing with Springsteen?

There is some sort of precedent.




Oh and seemingly covering Cyndi Lauper wasn't a new thing either.

Fiery Furnaces - Whelan's - Dublin


Everyone uses this press pic of the Fiery Furnaces.

I've always found The Fiery Furnaces to be a hugely frustrating band to listen to. So many ideas, many of them good but their songs often veer off on mad tangents which, rather than pique my interest, I just find jarring. Well I say jarring, I mean mostly annoying as fuck.

Nonetheless they've got a fine live reputation, it was a Monday night in Dublin, the Arsenal match was on a channel I don't have, what else was I going to do? Stay in and watch The Panel? I don't think so.

Live the band's music makes far more sense to me than on record. It's more robust, doesn't sound as weedy and the various key and time signature changes seem to work better. And much to my surprise you can dance to it. Well I can't but the kids up the front did; which made a nice change from Deerhunter last week when the stoic nature of the reaction Bradford Cox and his band of aural terrorists received shocked more than just me, oh and a mid-30's couple seemed to spend the gig standing in front of Eleanor Friedberger and trying to eat each others faces. Some of us are lonely and single, assholes.

All this happened against a backdrop of a set drawing heavily from this year's Widow City and, oddly enough, an ever growing stack of pint plastic glasses forming on the stage in front of Matt Friedberger's keyboards which reached at least 7 feet in height before Eleanor Friedberger finished the set by crowning the mountain of plastic to her left with a final container just as the last song of the night drew to a close. It would have been more rock n' roll to topple it, but then some poor sucker would have had to have picked them all up.

Fuck fuck fuck, damn you Kingsley. UPDATE

Had a phone call today from the people who are repairing my laptop. It's fixed and running but the hard drive is on the verge of dying so the current plan is that they'll send it back to me, I'll back up everything then send it back to them to replace the hard drive. It all seems like a bit of a rigmarole but when I suggested that maybe they could dump the contents of my "My Documents" folder onto a DVD ROM and send that back with the computer but they were unwilling to do that as if anything went wrong then they'd be liable for the data loss. Ah well, they're paying for the shipping so I guess it's fine. Hurrah for 3 year warranties.

Anyway, in the expectation of losing all the contents of the drive I started *re-ripping* my music again in the past couple of weeks (and kicked into overdrive mode this weekend thanks to freeleeching, what?) so here's something that is on my drive now that I'll soon have again.

MP3: My Bloody Valentine - You Made Me Realise from You Made Me Realise EP

Ham Sandwich debut album.

News to me. Anyway it'll be called Carry The Meek and it'll be out on February 15th. You can discuss it over on the thumped.com board in the "Gurning Cunt Appreciation Thread" thread. Probably.

Should be deadly, and about time too. I've got a copy of their debut EP, I'll sell it for a fortune on eBay whit time next years. That fucker'll put my unplanned, unwanted and unconceived children through college. I swear.

Monday, November 12, 2007

I love Wolf Parade

New album due out ... sometime next year (apparently April at the latest) and I gave Apologies To The Queen Mary another couple of spins last weekend. Anyway, I just discovered their Sub Pop bio yesterday and it's worth a read.

2352

They all came from B.C. to Montreal for their own reasons, thinking they had important things to do.

Spencer Krug played piano all alone. Thump thump thump. “Oh these big dumb hands,” he said. And he sang: “Squawk squawk.” He was all alone.

But then he got a call: “Do you have a band? And will you play a show?” Spencer lied, “Yes.”

He called Dan Boeckner. “I heard you play guitar,” he said, “I heard you go twang twang real good. And sing. Squawk squawk, mumble mumble. Come make a band with me. We have a show in three weeks.”

And Dan said, “I’ll be right there.”

So they made some songs.

“Great,” they said, “Now we need drums, drums that sound like thunder.”

“Yes, thunder.”

And not unlike Zeus himself Arlen Thompson appeared.

“Can you play like thunder?” they asked.

“I am thunder,” he said.

Then Dan fell over because he was so drunk and Spencer forgot his own name for a few days, but then they got barely organized enough so that the three of them could make music that sounded like burnt toast, or like two pinball machines in a slow motion bareback horserace.

“Great,” they said. “Now we need a name.”

“How about Wolf Parade?”

“No, that’s stupid.”

“Okay, well, what about Wolf Parade?”

“Who are you? I’m drunk.”

“Wait, I’ve got it…Wolf Parade!”

“Perfecto Mondo!”

So they played the show. It went fine. Then they played some more.

“Great,” they said, “It’s 2003. Let’s make a record!” So they made a little four-song record, all by themselves. Then they played some more shows. Things went along.

“Great,” they said, “It’s 2004. Let’s make another record!”

“No wait,” they said, “We need another person first; a fourth. We need somebody with a knack for electronic hullabaloo, somebody who goes blibitty blabitty bloop.”

Just then Hadji Bakara entered the room with an exquisite dive roll and popped to his feet before them. “Blibitty blabitty bloop,” he said.

And so together the four of them made sweet nonsensical music that sounded like a bullfight, only where the bull is a gorilla and the matador is a robot precariously holding a baby and all the spectators are eagles and whales with laser beams for eyes and everybody cries when the gorilla dies. Oh!

They sang about everything and nothing at all.

And they made a little six-song record, all by themselves. And they played some more shows. Things went along.

“This is great,” they said, “We don’t need anybody.”

“You need Sub Pop,” said a voice from the shadows.

“Who’s there?”

“It’s me, Isaac Brock, singer and songwriter for Modest Mouse, and Sub Pop employee.”

“Hey, I know you,” said Dan, “You liked my old band, Atlas Strategic.”

“That’s right, boy,” said Isaac, “And I like this band, too. Now, what say we go get you signed to Sub Pop, then come fall 2004 you all come to Portland and I’ll produce your record, or at least most of it.”

The band conferred in hushed whispers.

“Are you sure you’re not drunk?” they said.

“Aw, hell,” said Isaac, “We’re all drunk.”

“That’s true,” said the band.

So that’s the way it went. They signed. They recorded in Portland with Isaac and his invaluable sidekick, Chris Chandler, then went home and recorded a few more songs on their own, and the next thing you know they had an EP scheduled to come out in the summer of 2005, and a full-length in the fall. Things had really started rolling along by that point. They got to tour with Modest Mouse, and later with The Arcade Fire. They got to play All Tomorrow’s Parties, and to put a song on a Believer Magazine compilation album. Things were going so well that the boys thought maybe they were in heaven.

“You’re going to need more than Wolf Parade to get into heaven,” said a voice.

“Who’s there?”

“It’s me, Win Butler… sorry, I mean, it’s me, THE LORD.”

“Oh jeez,” said the boys, “Well, what do we have to do to get into heaven?”

“What else you got?” said THE LORD.

And Dan stepped forward and did speak: “I played and recorded in a band called Atlas Strategic from B.C., with records still available on Global Symphonic. I have moonlighted on guitar with The Arcade Fire. I try very hard to stay sober.”

“I can’t understand you,” said THE LORD, “Really. You mumble.”

So Arlen stepped forward and did speak: “I have drummed in various rock bands, whose names need not be mentioned here, Dear LORD, but they were various indeed. I drummed for a song on The Arcade Fire’s album, Funeral, and I am currently playing in a two-piece with ex-Hot Hot Heat member, Dante Decaro. I wash myself almost every day.”

THE LORD said: “Huh.”

And Spencer stepped forward and did speak: “I have played and recorded with a band called Frog Eyes, from B.C., and will do some more of that still. I have toured with Destroyer, playing the piano, and I have a side project called Sunset Rubdown, with a record coming out on Global Symphonic. I stopped eating meat for 3 months last year, and I try to spy on strangers through their slightly parted curtains as little as possible.”

But THE LORD had stopped paying attention.

So Hadji stepped forward and did speak: “Dear LORD,” he said, “I have read more books than you.”

“Excellent,” said THE LORD, and with that Hadji began a slow ascent into the bluest of blue skies.

Oh reader, what now for our four heroes, and the whimsical hand of fate?

Stay tuned!

Video: Wolf Parade - I'll Believe In Anything from Apologies to the Queen Mary

Cannons at dawn? Horses have been popping up in the visual arts a lot for me in the past 2 days. I went to the Jack B. Yeats exhibit in the National Gallery last night and those equine motherfuckers were all over the place. Spencer obviously has a thing for horses, but he hates snakes.

Saturday, November 10, 2007

Kurt Wagner - Tripod - Dublin


Shit, wrong Kurt Wagner.

I suppose I'd better begin with a confession, I'm almost completely unfamiliar with Lambchop's music. From time to time I'll hear something nice and quiet and utterly lovely on the radio and think "oh that's nice" and when it ends the DJ will announce that it was a Lambchop song. But that's as far as it goes. In fact the only song I recognised last night was the closing cover version of Leonard Cohen's "Chelsea Hotel No.2". "Why did you go then", you might ask. A friend of mine had a spare ticket and invited me along.

I've gone to see a fair bit of loud/weird sounding shit of late so going to see Kurt Wagner play solo was a bit of a change of pace. After the auditory assault I inflicted upon myself at Deerhunter and the nutso shit that Animal Collective were doing the night before to go along and see someone play some fantastic songs was a pleasure. Time to add another name to the "investigate the catalogue of this person" list methinks.

Thursday, November 8, 2007

Electric Picnic early bird tickets on sale tomorrow.


It's still a stupid logo.

No bands announced yet so it's a bit of a risk but I had probably the best weekend of the year there this year (as opposed to a weekend of shame, recriminations and pain the year before) so why not? On sale tomorrow from ticketmaster for €199.

By the way, with talk of reformations and new albums and curating festivals in the UK here's a song that I'd give anything to hear in Stradbally next September. The setting would seem to suit them.

MP3: Guess.

Slavia Prague 0 - 0 Arsenal

Well that was shit. Possibly the most boring Arsenal match I've seen in years. Diaby in the hole was good though.

Got a point though, job done.

I'd recap the game except NOTHING HAPPENED.

Wednesday, November 7, 2007

Slavia Prague preview.

Following the prize bitchslapping doled out to Slavia Prague and considering the fact that we only need a point to go through to the next round Le Boss has elected to leave 4 players; Cesc
, Tomas Rosicky, Kolo Toure and Alex Hleb, at home. Tomas and Kolo are carrying knocks but the other 2 are just being rested. It makes sense, they're had busy seasons thus far, I can't speak for Hleb but Fabregas has played every minute of every game to date.

As for who will come into the side ... it'll probably be Senderos in for Kolo and Diaby to get a game on the left. Who will replace Cesc (and him missing fucks my fantasy football team this week) is an interesting one. Gilberto has seniority and experience which I think might swing it in his favour considering the inexperience of some of the guys who'll be lining out along side him but I could easily see Diarra or Denny being given a run out. As for who'll try to step into Hleb's dancing shoes ... 2 obvious choices which would require us to revert to the normal 4-4-2 formation (that'd certainly suit Adebayor, he looks lost on is own), Theo will be anxious to have another go at the the Slavia defence that he tortured last week but this could be a fine opportunity for Eduardo to get 90 minutes against a side who's style of play he might be familiar with.

The other option would be to play them both, rest Eboue (or stick him at right back and give Sagna a rest) and stick Walcott on the right. We'll see at 7:45 what the deal is.

Tuesday, November 6, 2007

Wild Light


Is that Josh Ritter?

I've been meaning to get a blog up on these guys for a couple of weeks now but I've been to so many gigs in the past fortnight that I've kept putting them on the long finger. They opened for The Arcade Fire in Dublin and have since been treking around the UK and Europe with them (MySpace friend count at the start of the tour 270 I think. Current friend count 912, the tour must've gone well, I understand they'd sold out of copies of their EP by the time they got to night 5 of the tour). I ran into them at the merch desk in Dublin and overheard someone ask them how a relatively unknown band from New Hampshire winds up opening for one of the biggest bands of 2007. "They just like us I guess," was the answer.

And I can see how they might, Wild Light are far more acoustic driven and as there aren't a dozen or so people on stage there's less going on in the songs but there are a few elements to the songs that I'd consider to be AF hallmarks; multiple vocalists, instrument swapping, nice use of the delay effect on the guitars playing, "ah"'s, but most obviously in the drum rhythms. Plus the songs are just really fucking good. Other bands that they remind me of include Wilco and Okkervil River, mainly becasue I get the impression that the songs are written on an acoustic guitar and are then filled out in not quite typical ways.

"They just like us I guess," could also have another meaning too. Wild Light features the talents of one Timothy Kyle, if you were to open up a copy of the Arcade Fire EP in the liner notes you would see the his name amidst some of the familiar names (and along with some other names that you might not know, whatever happened to Josh Deu?). Nothing wrong with giving your mates a leg up is there?

The song I'm posting is the pick of the 4 track EP that they've been hawking at the gigs. Since they've recorded it they've written some even better tunes, that one about thinking that California is an awful shithole is a cracker.

Wild Light on MySpace.

MP3: Wild Light - New Year's Eve from Wild Light EP.

Band Of Horses to play Dublin

Wednesday February 20th
The Button Factory
Tickets €18.85, on sale tomorrow.

I learned last night that a number of my friends have never seen this film.




Inconceivable. There is a massive hole in their lives and they don't realise it.

Deerhunter - Whelan's - Dublin

Basically what Daragh said. I thought they were brilliant, definitely the best gig to take place in the reopened Whelans and probably the best one I've seen there in over a year. I went to the gig a little apprehensive as my previous live experience with "nu-gaze" bands have been terribly underwhelming but they did themselves proud. I thought Bradford Cox's manipulation of pedals on the fly to create vocal soundscapes live was really cool. The fact that they (and my ex-band (for about 5 minutes back in February) The Hold Steady) have been added to the bill of next year's Pitchfork vs. ATP have preety much swung which one I'm going to. Sorry E.I.T.S.

A quick word on Y.A.C.H.T. who opened, usually I'd think the idea of singing over a laptop backing track would be really karaoke-ish and his music isn't really the thing that I'd normally listen to but I thought the dude was tons of fun and hugely entertaining.

By the way, did you know that cough syrup can get you really, really fucked up? Apparently so.

This is possibly my song of the year.

MP3: Deerhunter - Strange Lights from Cryptograms

Polly I love ya, but €54.80/€64.80 is taking the piss.




Olympia, December 19th, seated gig.

Tickets.

Monday, November 5, 2007

Animal Collective - Tripod - Dublin

Last night's gig was an odd one. Dave couldn't sing at all except for some heavily treated backing stuff so Noah took all the lead vocal duties and the whole thing seemed very seat of their pants and off the cuff. Only one song I recognised (#1) and the rest was pretty much a drone synth set. I thought it was fantastic but I could see how folks might be annoyed that they didn't get to hear Peacebone/Fireworks. I knew what was going to happen because I ran into a guy that I know that knows them before they came on and he told me what the story was but I'd say there was a fair bit of headscratching from most of the audience.

Best bit of the night though was when it ended (after 45-50 minutes) and they explained why the set had been the way it was and it was announced that Noah was going to play some Panda Bear stuff on his own. Cue massive cheer.

And the Panda Bear stuff was pretty fantastic, like a lovely unexpected treat. The Animal Collective material broke my mind a little bit and Noah pieced it all back together for me before heading off into the night (and ultimately to Roma II, classy).

So all in all I enjoyed it, not what I was expecting but pretty unique amongst Animal Collective gigs I'd imagine. Still hope they come back soon and blow the roof off the joint though.